Wednesday, April 6, 2011

Animal Contest Winner, and New Contest Announcement

Congratulations to Lori from Mason, Ohio, the winner of the Amazing Animal Contest for her piece, "Teaching Without Words." Lori won a free edit from IFW, as well as some other great prizes and bragging rights. Be sure to submit your entry to this month's contest. Details are below.

The Dialogue Recovery Contest

Why don't you show us what you can do with some interesting dialogue? For your hard work you could win a copy of Joy Held's Writer Wellness as well as some other great gifts from Inspiration for Writers, Inc., (not to mention the critical acclaim of being able to say you WON one of our prestigious contests)! Enter our FREE writing contest. This month's theme is Dialogue Recovery. Here's how it works: write a short story of up to 1,000 words, the only catch is that your story must start with one of the following bits of dialogue:

"Look out! It's coming right for us!"

"And that, my dear, is why your husband willed me all of his money." OR

"Check out those buns."

Be creative! The more fun you have, the better! Submit your story to IFWeditors@gmail.com with an e-mail title of "Dialogue Writing Contest" by 11:59PM on May 6th to be considered for the contest. Also in the text of the email, please give us your name, email address, and snail mail address (yes, we keep these confidential), AND, please let us know if we have permission to print your entry, your first name, and your city/state or nation in a future blog or newsletter column. I will send a "we received your entry" email to all entrants, so if you don't get one, email again or call Sandy at 304-428-1218 during regular business hours (M-F 9-5 Eastern time).

Our editors will judge the entries on content, creativity, writing style, and writing craft. The winner will receive a prize package that includes a copy of Joy Held's Writer Wellness, an Inspiration for Writers duffle bag, a GHOSTWRITERS tote bag, Inspiration for Writers notepads, and other miscellaneous goodies. Now, get writing!

Thursday, March 31, 2011

A Slice of Writer's Life



Submissions Open At The Following Publishers!


This is a quick update to let you know about a couple of publishers currently open to new submissions. Be sure to visit their sites for guidelines on the proper formats and procedures for sending in your work. Good luck!


Harbourlight Books is a new publisher focusing on quality Christian fiction. They are open to completed manuscripts only at this time and plan to begin releasing books in fall 2011.




Note the romance division of Harbourlight Books is a different address.




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Comfort Publishing is a general publisher open to fiction and non-fiction in a number of areas. They don't specifically ask for romance but they claim in their mission statement they publish books "that might otherwise remain unpublished."




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On the spicer side, do you have a manuscript that bends a traditional fairy tale in a different way? Victory Tales Press has limited openings for a new series called "Twisted Fairy Tales."




Victory Tales is definitely a modern e-publisher with a different perspective and is open to almost all variations of the romance/erotica genres.


Meanwhile, remember to visit my blog for writing life tips.




And pick up a digital version of my new second edition of Writer Wellness, A Writer's Path to Health and Creativity at the publisher's site.



Who Dares Wins Publishing


Be well, write well,

Joy Held

copyright Joy Held 2011



Wednesday, March 23, 2011

Writing According to Diana Gabaldon



In October, I attended a presentation by Diana Gabaldon, the author of the bestselling Outlander series. The presentation took place at the Charleston Civic Center as part of the 2010 West Virginia Book Festival. Gabaldon shared her insights into how she wrote her first novel and established her career as a novelist. What I found most interesting was her writing process, her experience writing a series, and her advice to aspiring authors.

Writing Process

Gabaldon started writing her novel Outlander to practice writing and to see if she enjoyed writing a novel. What surprised me was that she did not start her novel knowing exactly what it would be about. In fact, Gabaldon picked a setting and worked her plot and characters around it. She knew she wanted to write about Scotland in the 18th century, so she went to the library to research that time and place. Gabaldon also knew that stories needed conflict. When she stumbled upon information about the Jacobite rising of 1745, she decided to work her plot around that historical conflict.

At this point, Gabaldon had found her novel's setting and conflict. She joked that she also wanted many handsome scotsmen in her novel, but she recognized that the story needed a woman to "add sexual tension and balance genders." So, she created a protagonist named Claire, then noticed that Claire "took over plot and told the story."

From there, Gabaldon used the setting, conflict, and characters to develop her novel. She did the latter in a peculiar way as well: she wrote the scenes out of order as they came to her, rather than writing the story from beginning to end.

The way Gabaldon experiments with her writing process shows how writers who want to write can carve out a novel from as little as one element. Perhaps we can jumpstart our creativity by focusing on whatever elements we have (setting, plot, characters) and then linking those elements to others. Or perhaps we can complete the scenes we know we want in our story and, by doing so, discover subplots or hidden characters in our story.

Writing a Series

Gabaldon also explained how she structured the Outlander series itself. First, she mentioned the value of cliffhangers. A fan once noted that one of her novels "wrapped up everything so neatly," and she joked, "Well, see if I do that again!" Cliffhangers give readers an incentive to buy the next novel in the series by either leaving part of a conflict unresolved or by introducing a new conflict. Gabaldon wraps up several plotlines in her novels but always leaves an unresolved or new conflict to keep her readers hooked.

Another topic Gabaldon discussed was the shape of her books. She explained how stories have shapes; for example, the shape of her novel Outlander includes three triangles whose peaks represent the plot's emotional climaxes.

We can come up with ideas by plotting the shapes of our own stories. A peak too early might suggest that the rest of the story will drag without any more climaxes. To fix this, add a subplot or two to build complexity. On the other hand, a long climb to a peak might suggest that the story will drag unless a few minor climaxes occur beforehand. We can also "plot" multiple characters to see where we could add minor conflicts to the overall story's structure.

Advice to aspiring authors

After describing her writing process and the structure of her series, Gabaldon gave the audience advice. First, read everything so you can find out which subjects and writing techniques you like (and which ones you dislike). For example, I never knew I loved economics until I took a course in it. If you find a subject you enjoy, find out more about it, and if you like an author's writing technique, try it out yourself.

Second, write to get your ideas down on paper and to practice writing. Writing down ideas gives you material to work with and completes a major step in the writing process. Also, writing shows you what writing methods work best for you.

And third, don't stop writing. It takes effort to start writing down ideas, and once you lose that momentum, you will probably struggle to pick it up again. Writing constantly will keep that momentum going and can even accelerate it by keeping your work fresh in your mind.


I hope Diana Gabaldon's experience and advice gives you ideas to work with in your own writing. If you want to know more about Diana Gabaldon and her work, visit her website.

Monday, March 14, 2011

A Slice of Writer's Life










BLAH, BLAH, BLOG!








Writers write. Writers should write something everyday. Yes, seven days a week and something besides checks made out to the electric company. But where do the time, the energy, and the ideas come from? Believe it or not, it's a self-perpetuating cycle. The more you write, the more you have to write.


In my book Writer Wellness, A Writer's Path to Health and Creativity, I describe writing to be a muscle. And like the other muscles in our bodies, the writing muscle needs to be exercised and kept in tip-top shape. The writing muscle is kept well toned only by writing. The more we write, the better shape our writing muscle is and the more we have to write. See? Self-perpetuation cycle. What counts for writing exercise?

I keep my own writing muscle in shape by journaling almost everyday of the week, writing several blog posts a week, and writing book reviews for several online sites. And yes, I still have plenty of time, energy, and ideas for my historical romance novel in progress. The key is discipline and not going overboard with what you have to say in any one area. It also helps with learning key fiction elements such as pacing, passive voice, and RUE (Resisting the Urge to Explain.) My writing muscle is warmed-up by the blogs, reviews, and journal entries I write. It's in those playing fields I am able to watch myself change and progress as a writer. This blog post today is a good example. Let me explain.


Writing blogs, journal entries, and book reviews for several years have taught me to get to the point with what I'm writing in my fiction. The reader wants to know what's important first, not after a six or seven adverbial phrase describing every bat of the character's eyes before they utter a word. What the character is doing is integral, but when two people are in the same room and on the same page, they need to be talking to keep the pace of the pages turning for the reader. I have also learned not to repeat what the character says with something we at IFW like to call "narrator intrusion." Which is what I just did. I just told you something, then intruded on your thought processes by telling you what I just told you. In this fast paced world of ebooks readers want to know and get on with it. Don't stall them. They will put your book down for good.

BLOGS


What do you say in a blog? My good writing friend Kristen Lamb, author of We Are Not Alone, The Writer's Guide to Social Media is currently doing a fab series on what, why, and how to blog.




You will not regret subscribing to Kristen's blog. Take my word for it. Because blogging is not only about getting the word out about you as a writer, it's most importantly about creating community. Another change in the publishing world. Blog. It's eventually good for your writing in sooooo many ways.


BOOK REVIEWS


I started writing book reviews because I wanted to read the books my young daughters were reading so we could have a conversation about them and so I could keep connected to their lives. They've grown up to be voracious readers and I still review books for kids, teens, and adults. Here's the latest review for POSER, MY LIFE IN TWENTY-THREE POSES, Claire Dederer:




Writing book reviews keeps my writing muscle toned because it forces me to read and analyze as a reader, writer, and editor. That's everything I am after mom, cook, laundress, etc. ugh... Anyway, book reviews aren't exactly easy to write and the format calls for a strictly limited number of words. Again, the practice keeps my fiction writing lean and well paced. Because of reading books and writing reviews, I can almost instantly spot a mistake in my own work because my writing muscle is in tune.


By the way. Look at the top of the book review site and click on the button Review for Us and get started!


JOURNALING


Journaling is something I've talked about at length in the archives of this blog and my own site for Writer Wellness.



Visit and subscribe by clicking on the "subscribe" button at the top and get email alerts when I've posted a new blog! See? Community!


Meanwhile, remember to look for a digital or print copy of Writer Wellness, A Writer’s Path to Health and Creativity at Who Dares Wins Publishing, http://whodareswinspublishing.com/.

And check out these great blogs for ideas to keep your writing and publishing healthy and prosperous.

http://writeitforward.wordpress.com/ Bob Mayer

http://jenniholbrooktalty.wordpress.com/ Jenni Holbrook

http://warriorwriters.wordpress.com/ Kristen Lamb

http://inspiration4writers.blogspot.com/ Inspiration for Writers, Inc.

Be well, write well.


Joy

Copyright 2011 Joy Held. All rights reserved.












Monday, March 7, 2011

FREE Writing Contest for March 2011

Have a story about an animal? Want to win a FREE 1,500 word edit as well as some other goodies from Inspiration for Writers, Inc., including a tote bag and some writing supplies? Enter our FREE writing contest. This month’s theme is amazing animals. Submit your story up to 1,000 words to IFWeditors@gmail.com with an e-mail title of “Animal Writing Contest Entry” by March 31. Also in the email text, please give us your name, email address, and snail mail address (yes, we keep these confidential), AND, please let us know if we have permission to print your entry, your first name, and your city/state or nation in a future blog or newsletter column. We will send a "we received your entry" email to all entrants, so if you don't get one, email again or call Sandy at 304-428-1218 during regular business hours (M-F 9-5 Eastern time).

Our editors will judge the entries on content, creativity, writing style, and writing craft. The winner will receive a prize package that includes a FREE 1,500 word edit from one of our renowned editors (a $45 value!), an Inspiration for Writers duffle bag, a GHOSTWRITERS tote bag, and other miscellaneous goodies. Now, get writing!

Tuesday, March 1, 2011

Biggest Liar Contest Winner!

Congratulations to Stephanie from Milwaukee, WI who is the winner of the Biggest Liar Contest! Stephanie won some great prizes, bragging rights, as well as a spot in our blog and newsletter! Be sure to submit your entry to our next contest so that you have a chance to score this great honor! Here's Stephanie's entry for all of you to enjoy:


It is hard to pick the biggest lie that I have ever told because there are two that I really benefited from as a parent. The first lie was that our vacuum cleaner had the ability to pick up not only small items from the floor but big ones as well.


So when my children were younger and refused to pick up, all I had to do was bring out the vacuum cleaner. I would plug it in, turn it on and at the whirring sound my children would scream and run around like crazy picking them up. They believed this lie for several years.


My other lie was that moms have eyes in the back of their head. When I originally said that, I meant it as a joke but my daughter who was about five years old took it quite literally so I thought I might as well take advantage of it. I would continue to remind her throughout the years that I could see everything.


One day when she was about nine years old she came up to me with this sort of scared look on her face. I asked her what was wrong and very seriously, with a sort of tremor to her voice she asked, "Mom, when will my eyes begin to grow in the back of my head?"


She must have figured that it happens to females and she wanted to know when to expect it. The sad thing is she really, really believed this but I couldn't help but laugh when she asked. It was then I confessed the truth to her. Needless to say she wasn't very happy with me. But somehow I have a feeling she will use my lies when she becomes a mother.

Tuesday, February 22, 2011

Inspiration... For Writers!

by Rhonda Browning White

You’ve heard me say before that I don’t believe in writer’s block. I do, however, believe in writer’s laziness, writer’s excuses and writer’s procrastination. I’ll agree—albeit grudgingly—that you might sometimes need inspiration in order to put fresh words on paper. When you feel you have nothing to write about, often it’s because your internal censor is telling you that you can’t write. You have nothing to say. Well turn that sucker off, and stop letting it run your life! Seek a tiny bit of stimulation, and start stringing words on paper. You don’t have to attempt a bestseller today; you simply need to encourage ideas to flow from inspiration. You may ask where you can find that inspiration. (You’re kidding me, right)? It’s all around you! If you feel the brain-pipes are clogged, here are a few ideas and prompts to get the ink flowing, again.

Newspapers –

  • Pick up any random newspaper and write down three headlines. Any three will do. Now link these headlines into a (somewhat) cohesive story. Hint: Tabloids can provide crazy story ideas that just might turn into a saleable piece!

  • Look at a photo in the newspaper, but don’t read the caption. Write your own caption for the picture, as if you were in that photographed scene. Now write the article to go with the caption.
  • Circle twelve random words from different articles or advertisements in the newspaper. Write them down. Now write a short-short story using all of those words.

What if? –

  • You wake up in jail. How did you get there, and why? Who will you call—and who will you hide this incident from?
  • You open a box and find something that will change your life forever. What is it? Tell the story.
  • Your character is a really bad guy. Really bad. But today, he knows he’ll never again commit another crime. How did he come to this point, and what was his wake-up call?
  • Your character is a near-perfect person. Today she commits a felony. What happened?

From literature –

  • Pick any scene from Shakespeare and re-write it with modern characters in your hometown. Think of the story of Hamlet occurring in downtown Boston.
  • Mesh a modern-day story with an old fairy tale. For instance, a friend wrote a hilarious story of “Forrest Gump and the Seven Dwarfs.”
  • Write down the first line of any novel. Now use it to begin a new, completely different story.

Other sources –

  • Choose a scene from one of your own stories. Write it from a different character’s point of view.
  • Look in the Yellow Pages for any random company, and think of the career of a person who works for that company. Write a scene based on their job.
  • Think of a song you enjoy and read the lyrics. Now write a story based around those lyrics.
  • Think about a rumor you have heard. Change the names and setting, then write the story.

I encourage you to try at least one writing prompt each week, even if you’re in the middle of writing a novel or nearing the end of your memoir. Often when you allow your creative mind to switch gears and play with something different, new ideas will form that can enliven your current work. Consider writing prompts your “throw away” work. Don’t worry about revision as you write—just write! If the story turns out to be amazingly good, and this will happen from time to time, then you can go back later and tighten, revise and build upon the initial draft. And when you’re ready for an edit or proofread, you know where to find us!

Monday, February 14, 2011

A Slice of Writer's Life: Stress Less



Stress Less
Joy Held
Writer Wellness, A Writer's Path to Health and Creativity
Who Dares Wins Publishing
http://www.whodareswinspublishing.com/


“Tension is who you think you should be. Relaxation is who you are.”
Chinese proverb

Writer Wellness workshop participants always have a wide range of suggestions for what it means to relax. Reading, video games, bubble baths, sleeping, and listening to music are popular ideas for down time to many people. One definition of relaxation is “to obtain an equilibrium state.” Relaxation in a pragmatic sense is the ability to align oneself with the chaos of life and to appreciate a new level of acceptance as the result. A conscious process of mindful relaxation should create a sense of security that spills over into all the areas of life.

Essentially, relaxation is gently guiding the mind from several thoughts to just a few, directed thoughts. Relaxation techniques are usually very simple and involve physical stillness, mental focus, and attention to breathing. Meditation is main stream now as the health industry is expressing support of a practice that thousands of individuals throughout history have known relieves physical and mental stress.

“The Relaxation Response” is a phrase and a book based on the work of Harvard physician, Herbert Benson, M.D. The 1975 publication explained how Benson studied the brains and nervous systems of people during a state of meditation and determined that all humans are capable of calling up the relaxation response at will. With a few simple steps, the ability to rest the mind, body, and breath is within easy reach of everyone. Benson’s process lists these requirements:

“From those age-old techniques we have extracted four basic components necessary to bring forth that response,
(1) A quiet environment
(2) A mental device
(3) A passive attitude
(4) A comfortable position”
(The Relaxation Response, pp. 159-160)

1. “A quiet environment”: Find a secure space. If necessary, notify others in the house that you want some privacy and quiet for ten minutes.
2. “A mental device”: As you inhale, repeat to yourself, “Breath in.” As you exhale, repeat to yourself, “Breath out.”
3. “A passive attitude”: When your mental repetition is interrupted by other thoughts, do not follow the new thought but return to repeating the words, “Breath in, breath out.”
4. “A comfortable position”: Sit comfortably in a chair with your spine gently supported in an upright position. Don’t cross your legs. Close your eyes all or half way, whichever is the most comfortable. Identify your breath and pay close attention to its flow into and out of your body. Notice its quality (steady, shallow, or soft). Identify the parts of your body involved in the action of breathing (stomach, chest, ribs, and nostrils).

Start with five minutes a day and slowly build up to 20 minutes once a day.

Relaxation Tips

1. If possible, choose a time when you are alone in the house for better quiet.
2. Loosen tight clothing.
3. If your breath becomes choppy or difficult, stop, open your eyes then start again.
4. Keep a positive attitude.
5. Accept that it will take time to appreciate this simple practice.

Be well, write well.
Joy
copyright 2010

Blog: http://www.writerwellness.wordpress.com/

Tuesday, February 8, 2011

SUDDEN, FLASH, SHORT-SHORT


By Rhonda Browning White

No, I’m not talking about skirt length, but about a form of fiction that’s growing in popularity. The short-short, a.k.a., sudden fiction or flash fiction. What exactly is flash fiction, and why should you consider writing in this form?

Flash fiction varies in length from 250 to 1500 words and can be written in any genre. Instead of spending days or weeks plotting and fitting together the chapters of a novel or book, you can easily pound out a work of flash fiction in a matter of minutes. Another bonus of writing sudden fiction is that it can loosen so-called writer’s block (though I don’t believe in that condition—but that’s another article). It will cause your mind to shift gears and can often be a form of welcome relief to keep you writing while you’re taking a mental break from a longer piece of work.

Is it easy, then? Not always. The strict limits of word count will challenge you to create tighter, sharper prose. The goal of sudden fiction is to provide the reader with a flash of insight or illumination that may provoke deeper or longer thought. Even a super-short piece of fiction should have a climax and resolution to feel satisfying to the reader.

So what are some tips for creating exciting sudden fiction? Here are the basics:

  • Limit the number of characters. One or two are usually enough.
  • Use only one scene or setting. Think of a snippet of life as viewed under a microscope.
  • Include vital information only. Detailed back-story has no place in flash fiction.
  • Use sparse dialogue. Save lengthy conversations for a regular short story or novel.

It’s good to know, too, that there’s a growing market for flash fiction, so it’s a valid way for beginning and experienced writers alike to build a resume of bylines and publications. Collegiate and literary magazines like Glimmer Train Press often publish shorter fiction pieces, as do online literary journals. Romance magazines like True Story and True Romance publish dozens of short-short pieces each month. Weekly supermarket magazines like Woman’s World pay well for sudden fiction. Be on the lookout, too, for anthologies like Sudden Fiction: American Short-Short Stories that specialize in flash fiction.

Short-short fiction will likely continue to grow in popularity, thanks to our busy and hectic microwave lifestyles. Most pieces can be read in less than a minute, but enjoyed for much, much longer. Remember, the best things often come in small packages, so try your hand at flash fiction today!

Tuesday, February 1, 2011

Avoid Clichés: Get Past the Mundane Use Your Brain!



by Stacy Tritt

Her face fell. Fear gripped her. She was all bent out of shape.

Clichés are everywhere. They infect our writing, and make what we thought was a fantastic, captivating piece of work… well, boring to our readers. So how can we fight the pandemic of clichés? There are several approaches to this battle. First we must know how to identify clichés. Next, we must learn to guard ourselves against them. And last, we can use the basic idea of a cliché against itself in order to eradicate it. Here’s how:

Many of you may be wondering, how can I tell whether something is a cliché? Here are a few questions you can ask yourself to find out:

1. Have you read those words or actions in the same context you are writing them in before? If your answer is yes, then the phrase is either cliché—or you’re plagiarizing. Either way, you want to avoid it.

2. Can the words you’re writing be considered a common figure of speech? For instance, in “her face fell,” did her face really fall, as in trip, tumble, or slide off of her head? Of course not! That would mean something entirely different. It’s a figure of speech, one that the majority of English speakers know, and is therefore considered a writing cliché. A good technique to get rid of clichés from your writing is to go back and read your work aloud so you can better recognize whether or not you have heard a specific phrase before.

So, you’ve found the clichés in what you’ve already written, and you’re ready to move on, but you want to break the habit of naturally writing clichés into your work. But how? Second guess yourself. If the words flow from your fingers like you didn’t even have to think about them, then chances are you didn’t, because you already know the words you’re writing, because they are cliché. Clichés are often the result of writing the way we speak in everyday life. The problem with this is that people don’t want to be told things they already know, they want to read what you have to say because it is exciting, and lets them see the world (whether this one, or a world you created) in a fresh, new way in which they’ve never seen something before. The hard part is giving them that fresh new take on the world.

One great technique to eradicate clichés is to use them—but not as they are. Take the cliché that is giving you problems, and change it to make it surprising and different; something the reader can’t see coming. Something that makes it your own. Here are a few examples:

“Her face fell” could become “His words shoved the smile right off of her cheeks.”

“Fear was gripping her” could become “Fear embraced her like a small child who refused to let go.”

And “She was getting all bent out of shape” could become “Her rage peaked at a new high, forcing all other emotion from her body and bending her once soft demeanor into a callous giant.”

Actions and reactions can also be cliché. Something scary happens when the storm begins, or a fight between lovers ends with a huge, sappy kiss. In those cases, do you really want your reader to know what will happen before they experience it on your page? I don’t think so. What is the point of reading? Throw in a few twists, lead them down one road, then force them to take another. Get past the mundane, and use your brain! As Nathanial Hawthorne once said, “Easy reading is damn hard writing.” You just have to have to keep trying until you get it right.