What's Your Favorite Punctuation Mark?

by Sandy Tritt

What’s your favorite punctuation mark?

Until recently, I had never thought about having a favorite punctuation mark—although I admit I’ve always had an affinity for those cute little curly commas. (And I have a distinct dislike for the colon and the semicolon: they remind me of too many late nights spent typing academic papers on my state-of-the-art Brother Electric Typewriter.) But the mark that really brings me joy is the EM DASH. This little guy has become more popular as of late—mainly because he’s versatile and, I’m told, “hipster.”

So, how can you hang out with the cool kid?

Lots of ways. He can be used in place of commas, parentheses, colons, semi-colons, or ellipses. He can offset phrases, show interruption or a change of direction, offer examples, or add emphasis. And he can be used to show missing words or parts of words. See why I love Mr. Dash?

Let’s look at ways he can help.  

An EM DASH can add clarity to a convoluted sentence. Examples:

• Before: “When the check finally arrived, over six weeks after the accident, it was only for the parts, labor, and other repairs.” After: “When the check finally arrived—over six weeks after the accident—it was only for the parts, labor, and other repairs.”
• Before: “Don’t start baking brownies if you don’t have everything you need, like a pan, an oven, and ingredients, including eggs, butter, sugar, cocoa, and nuts.” After: “Don’t start baking brownies if you don’t have everything you need, like a pan, an oven, and ingredients—including eggs, butter, sugar, cocoa, and nuts.”
• Before: “Before we go camping on Sunday, we need to make sure we have plenty of ice, hamburger buns, marshmallows for s’mores and fruit salad, olives, and onions.” After: “Before we go camping on Sunday, we need to make sure we have plenty of ice, hamburger buns, marshmallows—for s’mores and fruit salad—olives, and onions.”

An EM DASH can indicate a sudden break or change in continuity. Examples:

• “I don’t want to ever see—what is that thing crawling up your shirt?”
• “I—uh—I just don’t know.”

An EM DASH can delineate a non-essential phrase within a sentence (non-essential means the sentence will still be a sentence without the phrase). Do note that if the phrase occurs in the middle of a sentence, both a beginning and an ending EM DASH must be used. Examples:

• “Just as I was about to sit—and I do mean just—I saw the spider.”
• “I decided to burn that ratty old sweater—until Jason said it was his favorite.”

Likewise, an EM DASH can be used to set apart an explanatory phrase. Examples:

• “I love reading novels—fat, juicy, long-winded novels—while on vacation.”
• “We need to get a first aid kit—bandages, antiseptic wipes, splints—for the cheerleading squad.”

An EM DASH can join two independent clauses. It’s a modern replacement for the semicolon, joining two related sentences that could each stand alone. Examples:

• “We could sure use some rain this week—this heat is killing the garden.”
• “I absolutely love old romantic movies—I get that from my mama.”

An EM DASH can add emphasis. Examples:

• “I don’t want to see that jerk in here again—ever!”
• “Can we forget the whole thing—please?”

An EM DASH can show interruption. Whereas ellipses at the end of a sentence illustrates a dropping off in tone or a pause, the EM DASH shows an immediate halt.

• Either all in one sentence or by one speaker: “Hey!  Don’t step on the—oh, crap. Too late.”
• By multiple speakers:  “You never let me finish. All you do is—” “No, I don’t!”
• By an outside force: “Please quit fidgeting. We’re almost—” The doorbell rang.

An EM DASH can indicate an unfinished sentence or thought. Examples:

• “I hope that isn’t a snake—”
• “Is that car coming in my lane? There’s nowhere to—”

Where to find Mr. EM DASH

So now that you’ve grown to love Mr. EM DASH, you may discover that he simply doesn’t exist on the standard keyboard. Fortunately, there are a number of ways to create him. Let me count the ways:

• Within most Word Processing programs (and iPhones), you can create an EM DASH automatically by typing two hyphens side by side.
• MS Word will change two hyphens to an EM DASH as long as there is no space before, between, or after the hyphens. The metamorphosis appears after typing the next word or letter and then pressing the space bar.
• If that’s too complex, in many programs, you can click on the toolbar below the edit box. Place your cursor where you want the EM DASH, select INSERT from the pull-down menu, and click on the second character (the longer dash).
• In MS Word, you can click on the INSERT tab, look at the far right and click on SYMBOL, select MORE SYMBOLS, click on SPECIAL CHARACTERS, and—finally—click on the EMDASH (right at the top).

Too many steps? Give one of these a try:

• In Windows on a PC, type ALT 0151  
• For a Mac, use OPT  SHIFT  -
• Simply copy an EM DASH from anywhere and paste it where you need it.

Other things to know:

• In most usages (Chicago Manual of Style, etc.), no spaces should exist before or after an EM DASH. The most common exception to this is the Associated Press Stylebook (such as for newspapers), which adds a space on either side of the EM DASH.
• The EM DASH is mostly used in informal writing—blogs, novels, emails, etc.—and is typically used sparingly in formal writing (magazine articles, academic papers, business letters, etc.).
• There are three “dashes” in the dash family. The HYPHEN is the baby. It’s the smallest of the lengths and is used to join two words. The EN DASH is longer than a hyphen and is used to show a range—such as 3-4 years—or to attach a prefix, such as pre-Civil War era. And then there’s the EM DASH, the largest, the longest, the greatest. Aren’t you glad you’ve met him?
• Mr. Dash got his name back in the old days when typesetters measured the number of points in a line. An EN DASH was considered to be the same width of the letter N—and, the EM DASH was considered to be the same width as the letter M.

So, tell us, what’s your favorite punctuation? Why?

And, of course, if you need help straightening out those cute little curly commas or making the most out of Mr. Dash, just shoot us off an email at IFWeditors@gmail.com.

Book Festival, NaNoWriMo, Oh My!





by

Sandy Tritt

 

 

Who enjoyed the West Virginia Book Festival? We did, for sure. We—our team at Inspiration for Writers, Inc., which included author/editor Emma Broch Stuart, editor Jennifer Jett, editor Stacy Tritt, webmaster (and more) Eric Fritzius, grammar guru Wilma Acree, and I—loved meeting so many readers and writers. We talked and we gave away prizes and we talked some more.

Rhonda Castle was the happy winner of the grand prize—a basket of lots of IFW goodies, including our brand new Tips and Techniques Workbook II and a gift certificate for $200.

 

 

Besides giving out lots of prizes, we had fun chatting with writers. In the next photo, Tom “Bond” chats with editor Jennifer Jett.

 

 

Check out our Facebook page for more photos and more winners. Sure hope you can join us next time.


Oh, and since November is going to arrive before our next blog article, we want to remind you that November is, as always, National Novel Writing Month (go to NaNoWriMo.org for more info). Karel Havel of Canada was kind enough to share with us his NaNoWriMo Excel chart that helps him organize and accomplish his goals. If you’d like a copy of this chart, just comment below or email me at IFWeditors@gmail.com.

If you went to the WV Book Festival, please let us know your thoughts in the comments below, and if you plan to participate in NaNoWriMo, please let us know that, too. We enjoy hearing from you!
 

Join Us at the WV Book Festival

by

Sandy Tritt

Exciting news for those of you in the West Virginia/Ohio/Kentucky area—the 2015 West Virginia Book Festival is back! An exciting line-up of authors includes Homer Hickman (October Sky, Rocket Boys), Neil Gaiman (American Gods, Coraline, The Graveyard Book), Jodi Picoult (Songs of the Humpback Whale, Harvesting the Heart, Picture Perfect, My Sister's Keeper) and so many more. Go to http://www.wvbookfestival.org/ to see the line-up.

Inspiration for Writers, Inc., will have a booth at the festival, so if you’d like to meet some of our editors and staff, please be sure to stop by. We’ll be in the center aisle right next to West Virginia Writers, Inc. We have lots of freebies—pens, spiral notepads, whiteboards, sticky notepads, tote bags, Writing Wrongs cards, Comma Usage cards, glossy copies of “The Writer’s Prayer,” and more to share with our visitors, and some of our editors will bring books for sale. We will also debut our new, improved, 50% larger Inspiration for Writers’ Tips and Techniques Workbook. Oh, and door prizes. We’ll be giving away a special prize every hour, including a gift basket with a copy of our workbook, lots of goodies, and a gift certificate for $200 good toward any editing or writing service. But, mostly, we’d just love to chat with you and answer your writing questions in person.

Admission is free, and the festival will be in the Charleston Civic Center. Kickoff is Friday, October 23, 2015, with a writing workshop by authors Cat Pleska and Fran Simone from 10 a.m. until noon. The marketplace, where we will be, is open from 1–5 p.m. on Friday. On Saturday, October 24, the used book sale starts at 8 (be there early for the best bargains!) and the marketplace will be open from 9 a.m.-5 p.m.

The Charleston Civic Center is located at 200 Civic Center Drive in Charleston, WV 25301. For directions, go to http://www.charlestonwvciviccenter.com/directions.aspx.

We look forward to chatting with you. See you there!

Sharing Homemade Bread

by Rhonda white  

Reprinted with permission from:

 http://rhondabrowningwhite.com/2015/07/29/sharing-homemade-bread/      

SHARING HOMEMADE BREAD

Today is bread day.

A few weeks ago, I succumbed to an urge that had been rising within me for a few months, and that was to make bread. Not just any bread, not bread from a boxed mix, and nothing that could be whipped up in a few minutes’ time, dumped into a bread machine, and popped out in a squarish loaf resembling an Amazon.com cardboard package. I wanted to make homemade sourdough bread; the kind that takes at least a week to prepare, the kind that must be fed and nurtured and allowed to rest, the kind created from—and by—living, breathing beings.

I should tell you that I killed my first starter.

There are certain, unbreakable, scientific laws that come with making homemade sourdough bread, and as ominous as that sounds, they’re actually quite simple to follow. That is, as long as you remember one of the most important rules, that being that you must stir your starter with a wooden spoon. Any contact with metal spoons (nickel, silver, aluminum, etc.) can introduce molecules that will kill the living microorganisms of yeasty sourdough starter. When feeding my sourdough starter the first time, you guessed it; I grabbed a metal spoon. Two days later, instead of the sweetly sour fragrance given off by healthy sourdough starter, mine reeked of rotting garbage, and the bubbles that occasionally rose to the surface had ceased. My starter had stopped breathing and died.

I’ve taken more care since then, and today as I stirred sugar, salt, oil, and flour into my starter and began kneading the dough, I thought of stories and of writing. Why is it that one creative act feeds another? I may never know the answer, but I’m always grateful for the inspirational nourishment. As I worked the dough, I recalled scripture from the King James Version of the Holy Bible: “And Jesus said unto them, I am the bread of life: he that cometh to me shall never hunger; and he that believeth on me shall never thirst” (John 6:35). 

I then thought of even older writings, one from the ancient Anglo-Saxon story of Beowulf, in which the bakers charge a share of grain to make and bake bread in communal ovens for the entire community. I was further inspired to look up a couple of quotes that I remembered from other poems and stories, wondering why these snippets have stuck with me for so long, choosing today to bubble to the surface:

“A Book of Verses underneath the Bough
A Jug of Wine, a Loaf of Bread–and Thou
Beside me singing in the Wilderness—
Oh, Wilderness were Paradise enow!” –The Rubaiyat of Omar Khayyam, 5^th Ed.

And from more recent works:

“They swallowed the dark bread. It was like daylight under the fluorescent trays of light. They talked on into the early morning, the high, pale cast of light in the windows, and they did not think of leaving.” –Raymond Carver, from “A Small, Good Thing”

“The heat of the bread burned into my skin, but I clutched it tighter, clinging to life.” –Suzanne Collins, from The Hunger Games

You probably recall many other examples of bread used symbolically in literature. Why is it that writers often mention bread in their stories—aside from the obvious, that their characters must eat? Bread does more than simply feed the hungry protagonist; it serves as metaphor for deeper issues and hidden secrets in a story. Bread is sometimes used to represent life and health, or the lack thereof (as in stale bread, or moldy bread); it is used to represent plenty, as in the Biblical story of the loaves and fishes; it’s sometimes symbolic of comfort, family, and unity, as in To Kill a Mockingbird; and, in Hansel and Gretel, breadcrumbs are used to mark the way back home. It’s this last metaphor that I chose to use in my current work in progress, tentatively titled Romie & Jasper’s Big Empty:

“I stand on the back deck of the house, overlooking the acres and acres of grapevines, and I feel small, as if I’ve shrunk. I wonder if it’s true, if I have become smaller each time I’ve moved, if I left behind a broken-off piece of myself, like a trail of breadcrumbs, so I can someday find my way back to whatever place might be home.”

As I kneaded my bread this morning, it occurred to me how much making homemade sourdough bread is akin to writing. We put in the basic ingredients—our nouns and verbs and punctuation—and we let them rest. Days later, we return to the mixture, feed it with fresh words, stir them around, and let them breathe. After more respite, we keep a carefully measured portion, toss out what isn’t needed, and we add something sweet, something salty, and we work out the lumps and bubbles, ensuring that when we are done, it will rise and nourish all who taste it.

My sourdough recipe makes three loaves: one for today, one for later in the week, and one to share with friends. Sharing homemade bread—and memories and stories—with friends is my favorite part of the artistic process: it is the giving of one’s creativity, of one’s effort, of oneself, however noble or humble that gift may be.

“And he took bread, and gave thanks, and brake it, and gave unto them, saying, This is my body which is given for you: this do in remembrance of me.” Luke 22:19 (KJV)

© 2015. Rhonda Browning White. All Rights Reserved.

This has been reposted with permission from Rhonda’s blog, http://rhondabrowningwhite.com/2015/07/29/sharing-homemade-bread/

Tax Deductions for Writers

by

Rhonda Browning White

(Originally posted November 17, 2009)

 

Disclaimer: The information provided in this article is educational and is not intended to serve as tax advice. Please consult your Certified Public Accountant or the Internal Revenue Service at www.irs.gov for tax advice and preparation assistance.


You’re not published yet, so you think this informative article doesn’t apply to you, right? Wrong! If you’re a writer—even a writer at the beginning stages of your career—you may be eligible to claim many of your writing expenses on your taxes. The IRS knows that, as writers (freelance writers, novelists, or otherwise), it may take several years to make a profit. That doesn’t mean you don’t have to report your income, however. In fact, you must report everything you earn, even that ten-dollar check you earned for the article you published in your PTA newsletter.

So, what are some of the tax deductions you might be eligible to take, as a writer? Believe it or not, there are quite a few. First, if you have a dedicated home office you may claim a portion (based on the square footage of your office in your home) of utilities, rent, home repairs, and so on. Consult IRS Publication 587 for more information and to see if you qualify. Next, you may be able to deduct furniture and equipment costs, such as for your desk, computer, printer and copier, though some of these may (or may not) need to be depreciated, dependent upon your individual situation. Of course, office supplies, such as paper, pens, laptop carrier, and paperclips can be deducted as an office expense on Schedule C.

In addition, professional services such as legal advice, accountant advice, tax preparation, and fees paid to a professional editor are usually deductible. You may also be able to deduct travel expenses (keep detailed records), writers conference fees, a percentage of related meals and entertainment, as well as advertising (such as business cards, brochures, web domain expenses, etc.).

Did you know you may even be able to deduct work-related magazine subscriptions and books from your taxes? Your subscription to Writer’s Digest, The Writer, and other related magazines, as well as books on the craft of writing, such as grammar references, writing-related books, and The Writer’s Market can be deductible. Usually, any books considered research material for a writing project may be deductible. You may also qualify to deduct professional memberships, such as to your local or state writer’s group, or to a professional writing group such as Romance Writers of America, from your taxes.

The important thing is to make sure your keep receipts and document all expenses, including the date of purchase or travel, for all of these deductions. And remember, anything you claim must be a “necessary business deduction.” Other documentation you’ll want to keep to prove that you’re a dedicated writer (even if not yet a published one), include copies of emails sent to agents and publishers; query letters and a list of individuals to whom you’ve sent them; topics of long-distance phone calls to your editor, agent, or publisher; rejection letters and monthly fees paid to your Internet service provider.

The bottom line is that, while you must maintain documentation of your business-related expenses, you shouldn’t be afraid to claim these IRS-approved deductions on your taxes. After all, you are a writer!

New Year Writing Resolutions

by

Jessica Nelson

The New Year. The time to make resolutions that we a.) are unable to keep, or b.) have no intentions of keeping. We make such resolutions as “I’m going to lose twenty pounds this year” or—the one I am most guilty of making and never keeping—“I’m going to finish that (novel, screenplay, short story, poem).”

Last week, Rhonda Browning White mentioned the increasing reminders we receive to “Write Every Day!” as the New Year approaches. Most years, I tell myself I’m going to do that—write every day. Technically speaking, it never happens. I mentally write constantly, but I never seem to find the time to get it all down on paper. Life gets in the way.

This year, I’m making a different Writing Resolution. Instead of trying to write every day, I am resolving to learn about writing every day. (Well, maybe every other day.) Learning about writing could be as in-depth as reading a section of a writing-craft book or as simple as reading a book for pleasure and asking myself—in the words of a former classmate—Why does it work? Of course, Wednesdays are covered—all I have to do is read the latest Inspiration for Writers, Inc., blog!

That seems like a reasonable resolution to me. Since I’m always reading, it should be no problem to take a moment at the end of a chapter or a particularly moving scene to ask: What made it so good? Why was I moved? Why do I love or hate a character? What is it about the author’s style that makes her book easier to read or more interesting than another author’s? How can I learn from what this person is doing?

My New Year’s Writing Resolution is not to write every day, but to learn about writing every day. Not too hard, and definitely something I could do on a daily basis. Who wants to join me?

Write Every Day--Are You Kidding Me?

by

Rhonda Browning White

We’re now fully immersed in the hectic, er, joyous and peaceful, holiday season: Hanukkah, Winter Solstice, Yule, Christmas Eve, Christmas Day, Kwanzaa, Watch Night, New Year’s Eve, New Year’s Day . . . and the list goes on. We have shopping to complete, presents to wrap, trees to decorate, cookies to bake, parties to attend, dinners to host, football games to watch, and stories to write. What! Do you mean we’re supposed to find time to write over the holidays? Have you lost your mind?

That’s what I think each time I see a Facebook post, a blog entry, or a web article admonishing me to “Write Every Day!” Perhaps these reminders are popping up with increasing frequency in advance of the New Year’s Resolution craze. Or perhaps they’re showing up more often to drive me insane. Either way, I’m not falling for it. 

You see, over my twelve-year career as a ghostwriter, professional editor, and author, I’ve kept a giant secret, but I’m now going to share it with you: I don’t write every day. Sometimes I go two or three days without writing. Sometimes I go a full week without penning more than a simple grocery list (which I usually leave at home, only to discover it’s missing when I reach the dairy aisle—is it heavy cream or half-and-half I need for that recipe?), and, believe it or not, my writing never suffers from the break.

In fact, it often improves. 

How is this possible? For starters, you should know that I don’t believe in writer’s block. (I call it “writer’s laziness.”) Writing is a form of mental exercise, and, just like physical exercise, overdoing it can cause problems. The mind, like the body, needs time to rest and recharge. The best ways to recharge the writer’s brain are to read or to do something creative other than writing. Reading a great story—you can squeeze in a short story before bedtime, while sitting in the doc’s office, or waiting at the airport even on the most hectic days—or a writing craft book never fails to refill my writer’s well of ideas. Another prolific author shared with me that baking helps her put together scenes or chapters she’s struggling to work out in her mind. A poet friend paints gorgeous artwork between writing poems. Yet another author—a bestselling, award-winning author—told me he does some of his best writing while staring out the window or sitting on his porch for hours at a time, without touching a writing implement for days. 

Downtime is necessary for some writers to regenerate the creative part of the mind, and never is downtime more necessary for me than during the holidays. I’ll admit to you, though, that when I’m not in front of my keyboard or notepad, I’m often still writing. The idea for this blog entry came to me today when rushing through the grocery store. And while watching a little girl in red tights, a green sweatshirt and a motorcycle helmet stand with her hands on her hips while her father pushed a stalled Harley through a store parking lot, I came up with a great idea for a story scene. Were my hands on the keyboard? Nope. Did I have a pen in hand? Nada. Was I writing? Yes, I was. 

Tonight, when the house is quiet and the Christmas tree’s winking lights are reflecting on the wall outside my bedroom door, I’ll pick up the fabulous book of short stories I’m reading this week, and I’ll refill the writer’s well within my mind with strings of words that sparkle brighter than any light on my tree. And when the holidays are over, and my world has reached some measure of calm, I’ll again sit at my desk, and I’ll write.

Holiday Contest!

by

Jessica Nelson

Happy Holidays and a Merry Christmas to those who celebrate it!

Here at Inspiration for Writers, Inc., we’re gearing up for the holidays. Trees are up and lit, Christmas carols are playing on the radio, the shopping is done…well, mostly...or not at all. Anyway! We’re in the holiday spirit, and we want to spread the cheer!
Therefore—drumroll, please—we’re holding a contest!

Your challenge is simple: write a holiday themed story—Christmas, Hanukah, Kwanza, whatever it is you celebrate (or don’t celebrate)—of 1,000 words or less. Your story can be fiction or non-fiction, essay or narrative, or anything in between.

The contest will run from today (12/17) to Monday, January 5th, at midnight. You can submit your stories to Jessica Nelson at jgirl126@gmail.com.

Stories should be:

-1,000 words or less in length
-Sent in word document form as an attachment
-Written in Calibri, Arial, or Times New Roman font, size 11 or 12
-Double spaced

And remember:

-Be Creative!
-The stories don’t have to be perfectly grammatically correct, but it definitely impresses the judges if they are! (Especially when those judges are editors.)
-Feel free to go back through the blogs to pick up some tips for good writing.
-Did I mention, be creative?

We will award a first and second place. The first place winner will have his/her choice of a $50 gift certificate for any of Inspiration for Writers, Inc.’s services or an Inspiration for Writers, Inc. briefcase. Second place will receive the remaining prize. Both the winners and the winning stories will be posted as the blog on Wednesday, January 7.

Good luck, writers! May the Muse and the Holiday Spirit be with you!

Lessons Learned

by

Bonnie Rose Ward

I’ll never forget the day I received my first shipment of books. I eagerly leafed through the pages with a feeling of elation. Finally! The years of pouring my heart and soul into writing, revising, editing, proofing, and the many invaluable lessons learned along the way—not to mention the million pots of coffee—had culminated into my first published book. A dream come true!

If I could do it all over again—perhaps a sequel in the near future—boy, would I ever change a lot of things! It is for that reason that I want to share my journey—which at times was rougher than a washboard road—from writer to published author with you. For all you writers out there who are working on a manuscript or just finished one and are now ready to publish, this is for you!

When I neared the completion of my manuscript, I became giddy with anticipation that I would soon be an author. I truly believed that once I typed “The End” on the last page of my manuscript, all my hard work would be over, and I would send it out to a few publishers, and one of them would gladly snatch it up in a heartbeat. After all, I believed I had a great story and, besides, I wrote it to the best of my ability, and I checked and double-checked my spelling and grammar. What else was there? Well, let me tell you. Rejections! That’s what. One after the other. What a letdown. Where was a “Rejected Anonymous Group” when I needed one? However, I picked myself up, squared my shoulders and moved forward. I was too invested in this project to give up now. It was time to search for a professional editor.

Editing

After learning that most editors will give a free sample of their work, I sent a copy of the first few chapters to editors as far away as California and New York and everywhere in-between. As the samples poured in, my eyes hungrily devoured the pages. Ironically, the best editing job—hands down—came from right here in my own state of West Virginia; Inspiration for Writers, Inc. But, as ill-fate would have it, the promise of a “good” comprehensive edit for a much cheaper price by a different company won me over. I convinced myself that it would be a “good enough” edit and I could save myself a lot of money. Right? I couldn’t be any more wrong! When the edit came back it wasn’t anything more than a proof. Many of the pages didn’t even have a red mark on them. I knew that my book could be so much more, and in the end, we really do get what we pay for. If I wanted my book to be the very best it could be—and I did—I knew what I had to do. I turned back to Inspiration for Writers, Inc. It was the best decision I could have made for my book. 

Over the course of a year, Sandy Tritt, Rhonda Browning White, and I diligently worked on my book. Not only do those ladies go above and beyond—trust me, they do–but through it all, they made it fun and easy, they taught me so much, and they did it all without changing my story or my unique writing style. Besides hiring a good editor—and I advise that you do so because it’s hard to see all of your own mistakes or to look at your work objectively—I also can’t stress enough the importance that you, the author, must take full responsibility to see that your manuscript is in top-notch shape and the best it can be before you consider publishing. That means working with your editor, revising, proofing, proofing, and proofing some more. Some of you may be thinking, “But I want to publish my book now.” So did I, but I’m glad I didn’t rush into it. Be patient and do what you’ve got to do to get it right. In the end, you will have something you can be proud of. Winds of Skilak has won two book awards and today sits on Amazon’s Best Seller List in two categories, and has received rave reviews. I attribute my success to Inspiration for Writers, Inc. I have learned my lesson well and when my next book is written, I will save myself a whole lot of money, time, heartache and grief—I will make a beeline straight to Inspiration for Writers, Inc.

Publishing

I had often heard that once your book is written and ready for publication, you’ve only fought half the battle. I didn’t want to believe that. Actually, I didn’t believe it. However, once again, I realized I was wrong. No surprise there! I now had the daunting task before me of trying to publish and market my book. So many questions ricocheted in my mind. How do I publish? Who do I publish with? Do I try to find a traditional publishing company or do I self-publish? That was an easy answer for me. Having already run the gauntlet of submitting queries and proposals only to get rejections, I decided to self-publish. Now, that’s my personal choice. I’m not advocating that everyone should self-publish. For me, it was right. And again, you have to be proactive—it’s your baby and nobody cares about it more than you. There are many publishers out there, so you have to do your homework. In all honesty, I started searching my publishing options long before typing “The End” on my book. Once I made my choice and paid for my publishing package, I still had a lot of work to do. Don’t think for one moment that if you go with a self-publishing company, your struggles are over. I returned my manuscript many times to the publisher because of their formatting errors. I had to work to make sure they got it right. But, the day I held my baby in my hands, all the labor pains and hard work of giving birth to my story was replaced with indescribable joy!

Marketing

The first step in marketing is to find your target audience. Believing your book will appeal to everyone is a big mistake. You need to define who will likely purchase your book, and then figure out how to reach those specific people. Where do they hang out? What magazines do they read? For instance, if your book is about hunting or camping or outdoor activities, you might see if you can put your books in a sporting goods store, or perhaps write an article or put an advertisement in a hunting or outdoor sports magazine. I recommend using social media, like Facebook (my favorite), Twitter, and Pinterest, just to name a few. Start a website and/or blog and engage your members, keep them motivated. Look for online magazines and blogs that appeal to your target audience and see if they will hold a book giveaway or give you an interview. Advertise in newspapers. And don’t hesitate to ask for reviews. Reviews are an author’s best friend and they do make a difference. Just remember, you can’t sit back and expect your books to fly off the shelves all by themselves. It takes work on your part. And, last but not least, if you have a well-written book with a great story, word of mouth will be your best advertisement of all.

It has been a pleasure sharing my experience as a first-time author with you, and it is my hope that some of the information I have provided here can be of some help—and for you new authors or soon-to-be authors out there, I wish you the very best on your journey to making your writing dreams come true.

Bonnie Rose Ward

Award-Winning Author of Winds of Skilak: A Tale of True Grit, True Love and Survival in the Alaskan Wilderness. After fifteen years as a "wilderness wife" in Alaska, award-winning author Bonnie Rose Ward now resides with her husband on their farm in central West Virginia. They still maintain a self-sufficient lifestyle, raising goats, chickens, and other barnyard animals, with four dogs and a peacock named George rounding out the menagerie. Bonnie enjoys canning vegetables from the huge gardens sowed by her husband with heirloom open-pollinated seeds, and in her "spare" time, she continues to write her memoirs of the Alaskan wilderness.

 

Website    Blog   Amazon Book Page

Bleeding on the Page

by

Sandy Tritt

 



Is writing an art or a craft? I've wavered on this, thinking one and then the other, but I believe the "truth" is that good writing must be both. A craft is something that can be learned, something that, with time and practice, can be improved upon. It is something that has basic rules and methods, such as using active voice, maintaining point of view, creating realistic characters, and writing sharp dialogue. It's what we give tip sheets to help explain; it's what we teach at writing workshops; it's what we comment on within the pages of your masterpiece. A good writer simply must have a good handle on the craft of writing.

But there is more to writing than craft. A perfectly crafted novel is not necessarily a good read. There is something more, something that oftentimes cannot be named but instead is felt, that separates a well-crafted book from an I-can't-put-it-down novel. In the 1946 book Confessions of a Story Writer, Paul Gallico (author of The Poseidon Adventure) writes: "It is only when you open your veins and bleed onto the page a little that you establish contact with your reader. If you do not believe in the characters or the story you are doing at that moment with all your mind, strength, and will, if you don't feel joy and excitement while writing it, then you're wasting good white paper, even if it sells, because there are other ways in which a writer can bring in the rent money besides writing bad or phony stories."

That is what we do. We bleed on the page. We put our hearts and souls into creating not just a carefully crafted work, but a work of art. We don't create characters; we discover them. We get to know them. We don't decide what happens to them; we discover that, too. Whereas the craft of writing is a product of the brain, the art of writing is a product of the heart and the soul. The craft of writing gives structure to the end product while the art of writing is an exploration of The Truth and provokes emotion. Perhaps that is the greatest difference between craft and art—emotion. Just as viewing a great work of visual art can overwhelm us with emotion, reading a great work of literary art must also touch us deeply.

As editors, we love to nurture the artist in every writer. We love to highlight those passages that are exceptional and tell you how amazing they are—even if they need a little editing. We love to discover the great storyteller inside you and help give you confidence to continue to write and continue to hone your craft—so that you may, indeed, create a work of art.

A Professional Edit Costs How Much?

by
Rhonda Browning White

You received your free sample edit back from a talented editor at Inspiration For Writers, Inc., and your editor pointed out issues in your manuscript that you didn’t even realize were there. Sure, you expected her to correct a couple of typos you may have missed, but you surely didn’t think your story contained passive voice, or inconsistent tenses, or lack of tension in the first paragraph. And you certainly weren’t expecting to learn that something that felt so clear when you wrote it is unclear to your readers (but upon re-reading, you now can see where it might be confusing). Perhaps you were surprised to agree with her when she pointed out that your main character is too flat or cliché. Upon reading—and rereading—your sample edit letter, and reviewing—over and over again—the changes in the sample edit, you understand that a professional edit is exactly what you need to take your writing to the next level.

But maybe you can’t afford it. (Why on earth do proofreads, edits, and ghost-edits cost so much, anyway?) First, let’s determine why the best editors charge fees that people new to writing may consider high. Did you know that the best editors hold writing degrees, are well-published, as well as teach at and attend conferences and workshops where they continually network with agents and publishers in order to stay on top of the ever-changing market? Did you know the best, most careful editors proofread an average of forty pages per day, edit an average of twenty, and ghost-edit an average of six? It takes a long time to do a good job. What kind of salary do you make in an hour? What kind of salary do you think a well-educated, professionally trained and skilled editor should make in that same hour? 

Okay, you say, the best editors work hard and deserve their pay, but I still can’t afford to have my 100,000-word manuscript ghost-edited! What are you to do? Will you give up? Will you let this tumbling block keep you from reaching your dream of becoming a published author?

Surely not! You deserve success!

So what options are available to a dedicated beginning writer who wants to reach publication level? First, you may want to consider having only a portion of your manuscript professionally edited. Make sure you submit the first chapters for professional editing, as these are the pages an agent or publisher will read initially. Purchase the highest level of service your editor recommends for your work, and send as many pages as you can afford. When your editor returns those pages to you, don’t just read them—study them. Study them hard! Print out your customized manuscript analysis, and read it multiple times, committing the lessons to memory. Carefully read the marked-up copy of your edit, and try to determine why your editor made the changes she made. If your editor suggested specific articles, books or websites on the craft of writing, read them. You can then apply those things you’ve learned to the rest of your manuscript, thereby improving both your story and your writing skill for your next project.

 It’s important to consider a professional edit as the investment it truly is—an investment in your writing career, and thus, your future. Can you forgo that extra-whip, double-shot, caramel-flavored latte a couple of times each week, and put that money toward an edit? Can you cook dinner every other weekend, instead of eating out, and put that extra expense toward your lifelong goal of becoming a published author?

Not only do you consider your edit as an investment in your writing career—the IRS does as well. Every penny you pay for a professional edit is tax deductible. (That is, as long as you hire a legitimate editing company that pays taxes, not someone who works on the side and takes money under the table.) This can greatly reduce your net expense. Also, Inspiration for Writers, Inc., accepts all major credit cards, as well as PayPal revolving credit. Know, too, that Inspiration For Writers, Inc. offers a variety of payment options that may help you acquire the level of service your manuscript needs.

It’s your story, it’s your dream, it’s your future. It’s up to you to invest in yourself and your future as a writer. When you are ready to get serious about your career as a writer, we are here to help you reach your goals.

If not now, when?

Finding an Editor in Today's Market

by

Sandy Tritt

 

 

When Inspiration for Writers, Inc. went online in 1998, there were only three other companies on the Internet. Now, there are literally thousands of editors there. Thousands. Anyone can claim to be an editor. There are no tests, no licenses, no applications. And, unfortunately, nothing will destroy your writing career faster than a bad editor. It’s so disheartening to see so many unqualified editors taking money from unsuspecting writers—and then making an absolute mess of that writer’s work, often not only ruining the manuscript, but also the writer’s confidence. 

 

Some editing firms have only one editor—which could leave you in a rough spot if that editor were to suddenly take ill or have an accident. Or, even worse, simply decided that editing was hard work and took off with your money. Some editing firms have zillions of editors who bid on projects, with your manuscript going to the one with the lowest bid—regardless of his or her qualifications as an editor or in your genre. Some editing firms feature a list of hundreds of editors available for clients to select from, with preference given to the "fastest" editors—those who edit the most words per day with no weight for quality. One company promises that any manuscript under 65,000 words would be delivered in five days. That’s 13,000 words a day. (Our full-time editors average 5000 words in an 8-hour work day). 

 

As far as I can figure, IFW is now the oldest continuously-in-business editing company on the Internet today. We have grown from a one-person editor to a company with twelve editors, a web guy, a grammar guru, and an intern. 

 

So, why have we survived when so many others have come and gone? 

1.  Our editors are professionals. Most have a minimum of a master’s degree in English, are well-published, have won many awards, and are active in the writing community. Editing is not something we do on the side after working all day at a day job. Editing IS our day job. 
2. We have integrity. We are honest in all our dealings. We let you know up front what a job will cost, and we do not have any hidden costs that pop up later. 
3. We provide excellent value for the work we perform. While many editing companies appear to be less expensive, when you add in the “hidden” costs (fees for more than a pre-determined number of corrections, hourly fees for responding to questions, fees for quick turn-around, fees for telephone consultations, etc.) and the high quality of our service, others cannot compare. 
4. We treat our clients the way we would want to be treated. We treat our clients with respect and with kindness. We are honest with them, even when what we have to say is bad news. When we edit, we evaluate the manuscript, not the client. 
5. We provide ongoing service long after we’ve edited your manuscript. We’re here—and will continue to be here for you—for as long as you need us. We can advise you on your writing questions and be your sounding board. It’s what we do. 

At Inspiration for Writers, Inc., we believe writers deserve the best editor for their individual needs. Therefore, our editors never bid or otherwise compete against one another for projects. Instead, each manuscript is evaluated, and the editor who is best suited for the particular genre and writing level is given the job. All our editors are published authors with extensive editing experience and excellent grammatical skills. Each editor has gone through a rigorous training program that includes an apprenticeship before being certified by Inspiration for Writers, Inc. Additionally, Inspiration for Writers, Inc., employs only editors with high ethics and excellent people skills.

 

Before hiring an editor, do your homework. Google both the company and the individual editor. What do other people (not their own website) say about them? Are the editors published by traditional publishers (not self-published)? Are the editors active in the writing community? Do they give workshops? Speak at writing conventions? Teach at the university level?

 

To make sure we have the best match between writer and editor, Inspiration for Writers, Inc., provides a free sample edit for manuscripts over 20,000 words. We want our writers to be comfortable with the personality, style and expertise of our editors. For truly, the writer/editor relationship is a close one, and the writer must feel comfortable asking questions and receiving feedback. If your editor isn’t your trusted friend—the person who is there to guide you and protect you while never leading you astray—you need a new editor.

Why I LOVE being an IFW editor

by Sandy Tritt

On a whim, I asked our editors why they love being an Inspiration for Writers editor. I didn’t know what to expect, but I did get a lot of answers. Here’s who said what:

Rhonda White: Education--both learning and teaching—is an important part of my life. Editing and ghostwriting provide me with the opportunity to learn (through researching facts, information and materials for new books and novels) and to teach (by editing and analyzing manuscripts for my clients, as well as writing coaching assignments) what I have learned. Watching my clients grow as writers thrills me, and I celebrate every publication by one of my clients as if it were my own. It's incredibly fulfilling to help a client achieve their dream goal of publication, and since over 98% of our clients become published authors, this career path provides me with many reasons to celebrate! 

Jennifer Jett: I love every single part about being an IFW editor. I love the clients and the manuscripts that come across my desk. Those writers for whom I edit become more than clients—they are friends who keep in touch, and I love, love, love when they email me to tell me about their successes. As a writer myself, I love the craft; as a magazine editor by day, I enjoy the process of polishing a product to make it shine. I love to read, and with IFW, I am able to edit stories that fall into the genres I read for fun. Every manuscript is an opportunity to not only help a writer become stronger in their skills but to teach them about editing and industry standards, and I enjoy helping people. With IFW, I am connected to a network of amazing and successful writers and editors of all genres from around the world, all with different specialties. My access to them and their knowledge makes each project a learning experience for me, as well. Fiction has been in my bones since my childhood, and being a part of this incredible group provides me with the rare opportunity to exercise my creative muscle every day. 

Jessica Nelson: Though I haven't been with Inspiration for Writers, Inc. long, I already feel like a beloved member of the family. Everyone is exceptionally kind and supportive. My favorite part of working with these lovely ladies (and gentlemen!) is that there is no such thing as a stupid question. Every question is seen as a teaching moment, and they are not only more than willing to help you learn--they are always willing to learn, too. Knowing that I am part of a company in which the people constantly better themselves to better serve their clients makes me unbelievably proud. (Note: Jessica is our new college intern. She is an American Scholar at West Virginia Wesleyan College majoring in Creative Writing. Welcome to the family, Jessica!)

Stacy Tritt: Working for IFW (as an intern) while still in college was a great experience. It gave me the opportunity to use the education I was receiving in a work environment. Writing and editing are hard work. It takes a focused mind, a wealth of knowledge and more patience than I ever thought I could develop. Working in the "real world" now, the fellowship I have at IFW continues to push my education and development in writing and editing forward, long after walking the stage in my cap and gown. Hardly a day goes by without me learning something new about writing, publishing, editing and more because of the wonderful coworkers I have.

Jessica Murphy: I love being an IFW editor because it gives me the chance to contribute to the success and happiness of aspiring writers everywhere. By showing them how to perfect both their stories and their skills, I can help them achieve their goals and raise their confidence and potential to new heights. And as a bonus, editing helps me improve my own skills, teaches me about multiple genres and subjects, and often inspires me to write. I also consider myself lucky to have colleagues who give me these opportunities and offer both professional and personal support. Not many opportunities are as interesting and motivating as this one.

Sandi Rog: I love being an IFW editor because it’s an opportunity to discover amazing writers. I love it when I get the chance to help an author learn the craft, to teach them things that might have taken them years to learn. I love it when I get to help make their manuscripts shine. It doesn’t get better than that.  

Charlotte Firbank-King: I love being an IFW editor because I meet wonderful people from all over the world and in every walk of life. There are the friendly and kind people, funny people and sometimes, people who test one’s ability to keep cool and sane. I learn something from every type. I love to see people absorb all I share and then grow in the craft of writing. I love the excitement and challenge of a raw manuscript arriving, then working with clients to make it shine and vibrate with life. I get a special thrill from seeing my client’s manuscripts published. 

I absolutely love the editors at IFW. We share funny moments, we share our frustrations and joys. We share words, phrases or quotes seldom used and therefore new to us. We help each other with challenging sentences and argue endlessly about where a comma should be. We offer love and compassion when one of us is hurting. We celebrate when one of us has a book of our own published. We are like a cyber-family who supports not only one another, but our clients, who join our family for a period of time.

Sherry Wilson: I love editing for IFW. Editing gives me the freedom to make my own hours and thus, homeschool my four children, while still being involved in people's stories. Nothing feels better than getting lost in the world a new writer has created, poking and prodding as I try to find holes and ways to make it stronger. I love the excitement of the creative process as I work with a writer to help her create something that lives up to her vision of her story. Every day is different—every project a new opportunity. It is great to work with a wonderful stable of writers of all different backgrounds and interests. This way, projects get assigned to the editor with experience and knowledge of the genre and publishing trends. The stable of editors is small enough to be a personal experience for the writer, but the experience is wide enough to edit almost anything. And the support of the other editors means that the writer gets the best of the service and we editors get to learn and grow as we work. Let's face it, what better job is there than to read all day? I'm very thankful for IFW and the other editors who have become friends. It's more than just an editing company, it's a family.

If you'd like to learn more about our editors, visit http://www.inspirationforwriters.com/staff/editors.html. 

Our editors are the backbone of Inspiration for Writers. To make sure we have the best match between writer and editor, we provide a free sample edit for manuscripts over 20,000 words. We want our writers to be comfortable with the personality, style and expertise of our editors. For truly, the writer/editor relationship is a close one, and the writer must feel comfortable asking questions and receiving feedback. If you'd like to submit your manuscript, follow the guidelines at  http://www.inspirationforwriters.com/editing/sample.html. Thank you. We'd love to invite you to become a part of our Inspiration for Writers family. 

What is a Ghostwriter, and Who Needs One?

           

by Rhonda Browning White

            I can’t help but hesitate when people ask what I do for a living. “I’m a ghostwriter,” I finally say. The reactions I receive are never dull. “Oh,” someone might say, “I love ghost stories.” Uh, no. I don’t write ghost stories. That is, unless someone hires me to ghostwrite a ghost story. Once a (rather rude) woman said, “Isn’t that selling yourself, like a prostitute?” Um, double no! Ghostwriters indeed write stories for other people that are (typically) published under that person’s name, instead of their own. But then, so do many journalists and newspaper writers. I recall the first time I had a story accepted by a local newspaper. I rushed out that morning to buy a few extra copies of the edition in which my story would appear. And there was my headline in bold print . . . follow by the editor’s name in the byline. “But that’s my story!” I wailed. “I wrote it!” Such is the life of many news journalists. I whined for a bit, but then I realized it was no different than when I’d worked as a secretary, composing professional-sounding letters for my boss, who would then sign his name at the bottom, as if he were the one who’d agonized over that brilliant marketing hook in the first paragraph. Like journalists and secretaries and a host of other professional writers, ghostwriters write to help other people. And believe it or not, we usually enjoy that privilege!

 

What do we write?

            As a ghostwriter, I’ve been able to write political thrillers, Christian romances, memoirs, self-help books, even a screenplay. A ghostwriter works with her clients one-on-one in whatever capacity is needed to bring even a germ of an idea into a full-fledged manuscript that’s ready to submit to agents and publishers.   

 

Why hire a ghostwriter?

            Until they actually try to do it, most people think it’s easy to write a book. They come up with great ideas. They can see some of the scenes playing out before their eyes. But once they actually try to write, they realize it isn’t as easy as it looks. There’s so many things they hadn’t considered—point of view, voice, character arcs, plot devices—the list goes on and on. Writing is a craft that takes years of study and even more years of practice.

           

How much does it cost?

            Ghostwriting projects vary greatly, and the costs fluctuate with the amount of work involved. In addition to writing, some ghostwriting projects require research, collation of data and facts, and confirmation of sources. A typical ghostwriting project costs in the five-digit range. “What!” you may say. “That’s exorbitant!” But is it? A professional ghostwriter may work from four to twelve months on one project, sometimes working more than forty hours a week during that time. Would you expect to make less than a five-digit salary for half a year of hard work? Probably not. If you’d expect to make it, then you should expect to pay it.

 

Who hires a ghostwriter?

·         Your grandfather. Yes, we’ll write granddad’s memoir for him, taking care to use his voice as we chronicle his life into a book his family will cherish for generations.

·         Your neighbor. Everyone has a story to tell, whether it’s the story of how they single-handedly fought off a bear, how they hitchhiked across America in the 60s, or that idea for a romance they’ve put on the back burner for three decades. They may not have the skill to write the story, but man, that story deserves to be told. That’s where a ghostwriter comes in.

·         Professionals. Doctors, professors, ministers, technology developers, business leaders, and others have information to share, but who has the time to devote to mapping out a textbook, a self-help manual, or a devotional? We do!

·         Published authors. Sometimes an author will sign a three-book series deal, but then get so busy with the book tour (or vacationing on their advance) that they are nearing the deadline to turn in their next book in the series, but don’t have time to finish it. A ghostwriter can help them meet the deadline (and help them keep what’s left of their contract advance).

·         Publishers. Yes, even publishers occasionally send writers to us when the writer has an excellent story, but lacks the professional skill to write it in a manner that is publishable.

·         You! What’s your story? Doesn’t it deserve to be told? Do you dream of seeing your book alongside others in a bookstore, or popping up on your Amazon feed? Give us a call today, and let’s discuss what a ghostwriter can do for you!